Remember - Tomorrow's Lecture and Workshop are both dedicated to the Music Spotting Session visit from the U of T film music composition class.
If you are not involved in a partnership with one of the U of T composers then you do not have to attend the lecture. However, you are still welcome to come and watch the screening of a "Best Of" selection of animations scored by this program in years past.
The plan for the day is as follows:
11:00 AM - noon; SCAET 235
We will collect here for some opening remarks and the screening of a "Best Of" selection of animations.
noon - 3 pm; 4th Year STUDIO, A361
We will use the open area at the south end of the studio and the workstations nearby to schedule one-on-one meetings between the various composers and animators.
Plan on meeting with your composer for 20-30 minutes to discuss the musical requirements of your film.
Have an up-to-date version of your Animatic ready, including the recent Workflow Test shot! Also be sure to bring along a pair of headphones, as the listening environment in the Studio is not ideal.
Here is a quick summary of the main procedures and purposes of a Spotting Session:
1. View the Film
- Leica-Reel, Pose-Reel, or Rough-cut.
- include your temp music, sound fx, scratch voices
- decide where music is needed, what style, mood, instruments, accents, etc.
- make a sequential list of music cues (M1, M2, M3, etc.) with starting times!
2. Try Out New Musical Ideas
- play recordings with the picture! It's extremely important to hear the music while looking at your pciture.
3. Wait for the new Score
- discuss delivery dates, file formats & other tech
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